Some writers think they should write from the gut, and then
when once they have been accepted for publication, an editor will correct
spelling and punctuation and grammar.
Among those who intend to go the self-publishing route, the
corresponding notion is that one can hire an editor who will correct all that.
This is usually attached to the assumption that a writer
doesn’t need to know the rules of
grammar, punctuation, and spelling, and that can be delegated to hirelings.
Here’s the reality: Unless you know enough of the rules to
polish your writing the best that you know how, submissions editors will not be
able to get into your lovely story because they will be so distracted by
mechanical errors in your writing. Your masterpiece will go straight to
rejection pile.
And if you hire an editor yourself, they will not correct
your writing. They will merely make suggestions and the only way you’re going
to be able to keep from blowing a gasket when you see all the red ink (or
comment bubbles in your document file) is if you know enough about the rules of
writing to see that they are right.
But if you know the rules, why not just use them from the beginning?
Also, the rules of grammar and punctuation are there for a
reason; they help eliminate ambiguity.
And if you don’t follow the rules, then your editor may think you mean
one thing when you mean another, and then time is wasted figuring out what you
really intended to say.
When I worked as a writing tutor at ASU, I found that
usually when grammar was off, the student wasn’t sure what they meant to say
yet. I’d ask them, “Did you mean to say this, or did you mean this other
thing?” and they’d scratch their head and say, “Uhhhh, I don’t know!” They had written something they hoped
would sound good to the teacher, without making sure it was exactly what they
intended to say.
So what does an editor really do for a writer? The writer
comes to the editor when they’ve gotten their work good enough that they can no
longer see anything wrong with it. Then the editor helps clean up the mistakes
the writer missed. They will trim
out unnecessary words, add those missing commas (because there are apparently
20 different ways to use commas and even good writers forget a few), demand a
re-wording occasionally when a sentence or paragraph is garbled, move good
sentences where they would work better, etc.
To use a carpentry metaphor, the writer builds the desk and
sands it down. The editor polishes it with 200-grit sandpaper and applies the
paint and the clear coat. Don’t
expect your editor to do the sawing and hammering for you.
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