As I’ve been working on my novel, I’ve been writing my
scenes non-linearly, working on what I find
interesting rather than going in a straight line from past into the
future. With a first novel,
I figure that any measures I take to keep me writing rather than quitting are
allowed.
Of course, the result of this was that I wrote a lot of
scenes with one side of the love triangle, which left the other side of the
love triangle rather undeveloped.
I was then left with the problem of trying to figure out where I could
insert scenes with the second love-interest.
This is when it became important to me to make a timeline of
events in my story. Day 1, Day 2,
Day 3, etc.
In my timeline, first I put in what I’d already written
according to the time cues that I’d already written. (Time cues are like “two hours later” or “two days
later.”)
When I looked at that list of days and events, I realized I
could compact my story and make it happen faster, so I adjusted my timeline and
started adjusting my story.
(Adjusting the time cues in my story took less time using
the program Scrivener than it would have taken if I’d written in Word because
in Scrivener you can easily jump to any point in your story without having to
search for it. Fabulous
time-saver!)
With a timeline, I could tell where interactions between the
overwritten love interest happened, and therefore see where interactions
between the underwritten love interest needed to be.
I don’t know if I could have planned my novel on a timeline
at the beginning because I was still fuzzy on my plot. It was only when I had written a pretty
decent amount—like 70,000 words-- that it became necessary to be so clear about
when things were happening.
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